Cleverly designed, the camera features a slim, motorized ND filter unit – having a mere 6mm depth – that is built into the short flange back of the RF mount. The small form-factor, weighing only 2.6lbs., allows the camera to be easily handheld and dramatically enhances a videographer's mobility, providing a seamless bridge between the EOS and Cinema EOS families for cinematic applications. The unique design of the EOS C70 camera puts a significant emphasis on operational convenience for the end-user. Just two short years later, those wishes have come true with the new C70 camera. One request that Canon consistently heard was to put an RF mount on a Cinema EOS camera so that future lens performance could capitalize on the short flange depth. When the Canon RF mount was first introduced, imaging professionals began to dream about the possibilities that this revolutionary mount system might provide them. MELVILLE, N.Y., Septem– Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the company's first-ever RF mount Cinema EOS camera, the EOS C70 4K Digital Cinema Camera. The First Cinema EOS Camera with an RF Mount, this New Compact and Lightweight Model Features a Super 35mm Dual Gain Output (DGO) Sensor, DIGIC DV7 Image Processor, and 16+ Stops of Total Dynamic Range READY FOR ACTION: THE CANON EOS C70 4K DIGITAL CINEMA CAMERA PACKS CINEMA EOS IMAGING FEATURES INTO STILL CAMERA ERGONOMICS The EF-EOS R 0.71x adapter will follow in December for $599.
The EOS C70 will be available in November for $5499. Unlike Canon's existing EF to EOS R adapters, the EF-EOS R 0.71x is an optical adapter that works like a speed booster, making it possible to use EF lenses on the smaller Super35 sensor at their intended focal lengths while increasing lens speed by one stop. Presumably, Canon expects many Cinema EOS users to put the camera in a rig with their preferred EVF or external monitor.Īlongside the camera, Canon also announced the Canon Mount Adapter EF-EOS R 0.71x, which allows users to attach EF-mount lenses to the C70. The camera features a 3.5-inch 2.76M-dot rear LCD but not an electronic viewfinder. The cooling system is outside the sealed part of the camera to prevent dust or moisture from reaching the electronics. Other features that should appeal to video shooters include dual-pixel autofocus, a motorized 10-stop ND filter, C-Log2/C-Log3, PQ and HLG gamma for HDR, two mini XLR mic inputs, thirteen customizable buttons, and custom in-camera LUTs.Īn air intake system provides cooling, allowing the camera to record for extended periods.
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Recording choices include both All-I and intra-frame options using Canon's XF-AVC or MP4 (H.265) codecs. It can also capture 4K/120p and 2K/180p without extended dynamic range. When combined, Canon claims the camera can deliver 16+ stops of dynamic range at up to DCI 4K/60p or 2K/120p (using a Super16 crop). The DGO sensor reads each pixel at two different gain levels, with one prioritizing saturation and highlight protection and the other suppressing noise in the shadows.
The EOS C70 features a Super35 sensor using Canon's next-generation Dual Gain Output (DGO) technology. Notably, the C70 uses Canon's RF lens mount, making it the first Cinema EOS camera to adopt the company's newest lens system. Canon has announced the EOS C70, a digital cinema camera with a body that resembles a mirrorless stills camera.
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